#tj fans where you at
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hollowflight-propaganda · 10 months ago
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Just finished Jenna's route, got the good ending and now I see why everyone likes it so much. I literally feel giddy cause of how a lot of the characters got their chance to shine and all the while the plot keeps on track in a way that feels very natural and woven together. Just good writing that feels fulfilling, 10/10
My only complaint is that I want more of TJ. (can you tell who my favorite is?) Honestly, I wish they did with him what they did in Leo's route where you can tell that he's remembered the truth behind Sydney's death if you know the context already. Even if it would've been redundant, I feel it would've been better than him just kinda, standing there, in comparison to everyone else.
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random-bi-writer · 1 year ago
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Canon conversation from Wordgirl that I find really funny.
Becky: You love WordGirl, and she's a girl.
Tj: No, she's not.
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vintagegeekculture · 3 months ago
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The Hall of Amazing Men: Branscombe Richmond
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A new admission to the Hall of Amazing Men, Branscombe Richmond is best known for being an actor where he played Lorenzo Lamas’s friend, the Lando Calrissian-like sharpie Dallas Sixkiller, or as Moki, the smartmouth Hawaiian friend of Magnum, P.I. But behind the camera, as a tough as nails stunt coordinator and stuntman, Branscombe Richmond created and developed nearly all the eccentric and eye catching events in the TV series American Gladiators: Atlasphere (the one where people roll around in giant balls), Powerball (done simply because they needed a sport that could be created cheaply because they ran out of money for development) and all the various ones where musclemen shoot tennis balls at people, and where you have to avoid muscular women by jumping on a bungee cord. I don’t think it would be inaccurate to say that with his development (on a really thin budget, no less) of memorable, eye catching sports and events that, with his stunt training he knew could be done safely enough so that even kinda-sporty housewives from Illinois could do them without injury, Branscombe Richmond created American Gladiators. He turned an idea into a realized, practical show that can be done – I don’t think it is inaccurate at all to call him the uncredited creator of American Gladiators.
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In his career as a stuntman, Branscombe Richmond, meanwhile, is another one of those faces that shows up over and over playing evil henchmen, members of motorcycle gangs in rough biker bars the hero brawls with karate (if there’s ever a rough scummy biker bar out there, you can bet Branscomb Richmond is in it), and hordes of nunchaku wielding ninja, to the point where if you are, like me, an 80s-90s action aficionado, his face makes you go “oh, hey…it’s that guy!” Can you really call yourself an action fan if you don’t start identifying “your” evil henchman? His IMDB page is mostly roles that are named “Gunman In Jeep,” "Biker #2," and "Terrifying Clown."  
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If there is a Evil Henchman Hall of Fame, Brandscomb is there alongside the great Al Leung. You can spot his face as a henchman in Never Too Young to Die (with John Stamos), Action Jackson, Batman Returns, the Hidden, Iron Eagle III: Aces High (objectively the best one as it had Ms. Olympia Rachel McLish), and Star Trek III, where he was a Klingon henchman to Christopher Lloyd who almost got disintegrated and had to feed his disgusting slimy monster dog-salamander. It's comforting to know the profession of henching is alive and well 300 years in the future.
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On television, Brandscomb Richmond was on every single cool show from the 80s: Tales of the Gold Monkey, TJ Hooker, Manimal, Airwolf, Knight Rider, Baywatch, and many times attempted to kill the A-Team, especially from motorcycles. Like Chiba, another stuntman-actor, Branscombe Richmond specialized in motorcycle stunts, and he was admitted to the Motorcycle Hall of Fame in 2003. He is, to this day, the guest of honor at whatever motorcycle rally your embarrassing hick uncle attends. I have no evidence for this, but I have long suspected that the reason Richmond was hired to be Dallas Sixkiller in Renegade with Lorenzo Lamas was so they could get his unpaid advice on motorcycle stunts (much like how I have always suspected Warner Brothers hired Ben Affleck as Batman as a "backdoor" way to ask him to direct).
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He also played the older brother of the Rock in the Scorpion King, which is an interesting choice because despite getting roles as American Indians (and being beloved in the American Indian community, who, as a whole, deeply love characters who are smartmouth, wiseass sharpies/scammers who get one over on everyone), Brandscome Richmond is in fact, like the Rock, of Hawaiian origin. His first major role in television, that of Moki in Magnum PI, was in fact Hawaiian.
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Why are there so many Pacific Islanders in stuntman careers, MMA, and professional wrestling? The answer is surprisingly pedestrian. It’s because Pacific Islanders are a sizable ethnic population in Los Angeles, where movies and television are made, so if you need someone in L.A. that are tough as nails and can take a hit, a Samoan or Hawaiian is a good choice.
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Happily, Branscombe Richmond is alive and well, mostly retired as a traditionally large Hawaiian family patriarch. He does occasional voice work, as Gibraltar in Apex Legends, a character physically based on him as well. I imagine he is relieved to be working in showbiz and no longer risking brain damage to do it.
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pluckyredhead · 9 days ago
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…Sorry if this is a bit weird but do you have any queer romance book recommendations? I ended up finishing the last binding trilogy because you posted about it (you have excellent taste lol) and I’m a bit stuck at the moment with what to read next.
Not weird at all! I absolutely have recs! Also Freya Marske has a brand new book out called Swordcrossed if you want more of her writing. (For people who are not anon: The Last Binding is an Edwardian historical fantasy romance trilogy and it's excellent.)
Okay recs:
KJ Charles: My favorite queer romance author, hands down, and also the most prolific! She's written over 30 queer historical romance novels (and one queer historical mystery), mostly M/M, all historical and set in the UK during various time periods ranging from the 1810s to the 1920s. My two favorite things about her work: 1. It draws very heavily on the history, meaning that her characters never come across like modern people in historical cosplay. And 2. she's great at creating genuine conflict between or around characters. I have read too many romances where everything is uwu softness and nothing hurts but Charles's characters are always either fundamentally divided by politics, class, ethical perspectives, lies, and/or tragic backstories, OR they get along fine but a murderer is trying to kill them, OR, in the best of her books, both.
My favorites are probably The Will Darling Adventures (1920s trilogy all about the same couple fighting a criminal secret society), A Seditious Affair (1810s, a radical firebrand and a Tory government official accidentally fall in love while having extremely kinky sex), An Unnatural Vice (1870s, "spiritualist" con artist and the crusading journalist trying to expose him), and Any Old Diamonds (1890s, The Saddest Boy in the World hires a sexy jewel thief to rob his horrible father, kink ensues), but you can really start anywhere - Think of England is where I jumped on and it's nice because it's more of a standalone (there is a companion book but Think of England comes first). If you liked The Last Binding, you might want to start with her Magpie Lord series because they are also fantasy romance. (Freya Marske is a big KJ Charles fan and it shows, in a good way.)
Allie Therin: Sticking with the fantasy romance angle here for a moment, Therin has a 1920s trilogy called Magic in Manhattan that is all about the same couple, a prickly magic-user named Rory and the big hunky WWI vet who loves him, as they fight various evil magicians. (HUGE oversimplification but you get it.) There's a spinoff trilogy, the Roaring Twenties Magic series, which has two books out so far. I love NYC, the 1920s, fantasy, and queer romance, so obviously I love all of this.
But I'm particularly obsessed with her Sugar and Vice series (also a trilogy, first book is out already and the second one comes out next month) which is set in modern day Seattle and is about an empath named Reece and the super dangerous empath hunter called the Dead Man who may or may not be here to kill Reece, and also there's a serial killer on the loose. This one is a suuuuuuper slow burn (they don't even kiss in the first book!), so you have to be patient but I read the second book early and yeah I'm obsessed and desperate to talk to other people about these books.
Charlie Adhara: More paranormal romance! I wrote about these books at greater length recently, but the short version is: FBI agent gets transferred to the super secret werewolf division of the FBI and partnered with a hot werewolf, they fall in love, spend five books developing into The Ultimate Power Couple, I'm in love with their love. There's a spinoff series called Monster Hunt but only one book is out so far.
TJ Klune: I probably don't have to tell anyone about TJ Klune anymore and I'll admit he can be hit or miss for me but I did really love Wolfsong. As long as we're talking werewolves.
Dessa Lux: Okay these are more erotica than romance but Omega Required is a comfort read for me, which is funny because I'm not usually an omegaverse gal. But this is about a very sweet alpha doctor who offers a marriage of convenience to a very traumatized omega and it's literally just nonstop cuddling and soup. She also has a series that's just ever-growing werewolf gangbangs, if that's a thing you're into. Like. A cartoonish amount of werewolves at the gangbang. It's delightful.
Cat Sebastian: I will admit Sebastian is also a little bit hit or miss for me. I loved her very first trilogy, the Turner series, which is very much in the vein of KJ Charles (Regency romance, class divides, lots of conflict). She wrote some more 19th century stuff after that and then moved into mid-20th century romance (50s-70s) which is honestly very rare. She also basically...stopped writing any conflict at all. I would say a large portion of her books after the Turner series can be accurately described as "two best friends who are secretly in love with each other sit in the same house/apartment and enjoy each other's company until they get together." I know a BUNCH of people who absolutely love that and they are well-written! But I really have to be in the right mood for them.
Sarina Bowen and Elle Kennedy: Okay I am not a hockey person, but you must, you MUST read Him and its sequel, Us. Hockey-playing BFFs, one is gay and secretly in love with the the other, the other one is like "I don't think I'm into dudes but I'd better give you 300 blowjobs to make sure." (Spoiler: he's into dudes.) Honestly the stupidest men imaginable. I love them so much. Bowen has written a few other queer romances solo and I'm working my way through her back catalog now.
Rachel Reid: Yes it's more hockey romance but. BUT. Heated Rivalry. Two of the top players in the NHL, on rival teams, have famously hated each other for years...and have secretly been fucking since they were rookies. Reid is another one where I'm still working my way through her books but Heated Rivalry is something special.
I am SURE there are more I'm forgetting but this is long so I'll stop it here for now! Also folks should feel free to reblog with further recs, she said selfishly.
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justmeinadaze · 3 months ago
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I'm In Control: 5 Years Later (Steddie X You)
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Warnings: Pornstars Steddie (Daddy Steve & Sir Eddie) X Porn Agent Sub Fem Reader, SMUT, dp, praising, light hair pulling, after care of course, FLUFF, they love each other, mentions of kids, a bit more emphasis on the readers relationship with TJ.
ANGST! ANGST! ANGST!
Protective Steddie! Reader gets assaulted and hurt by the head of a studio she has a meeting with. The attack itself isn't described in detail. Just mentions of the after math (gets a cut on her head). She mentions feeling uncomfortable with the questions the man asks and tells them how he hit her before she ran out of there. Definite trigger warning for anyone who has been in a similar situation.
TJ and Steddie get revenge showing what happens when you "hurt their girl". Reader briefly discusses how the situation reminds her of her life with her religious parents and feeling stuck or trapped. They remind her that she's safe and they will always protect her <3.
Brief mentions of Steddie's fear of being a father. Very brief.
I think that's it.
Word Count: 5493
Full Series Here/ Donate to Me <3
As you watch both men on set, you can’t help but bite your lip as you try to stifle the moan that wants to break free. 
It had been 5 years since TJ let you go to start your own agency and you took off running fairly quickly. You started small in the room the boys had created for you as a work area, managing your three clients as you normally had. As soon as you had enough money and more people to manage, you were able to hire another agent. Someone you vetted personally to make sure they would take good care of their clients and not abuse their trust for financial gain. 
After a couple years, you purchased you own floor within a building and renovated it to fit your needs. Currently, you had four agents with 5 clients a piece and you always made sure everyone was comfortable and helping where you could while still managing the men you loved. Avery trusted your judgement when you suggested he work with one of the new people you hired but Eddie and Steve were steadfast on the notion that they didn’t want anyone but you looking after them. 
Over the past couple years because of how much they were making, they were able to cut down on how many projects they worked and when they did do them it was triple what they made financially in the past. Eddie was able to focus more on his music and found a good fan base on social media that seemed to genuinely care about what he was playing. Steve seemed to push more towards the technical aspect of films with his free time, asking photographers a ton of questions to learn what he could. For his birthday you bought him a camera and he utilized your gift to do photoshoots for some of the newer actors and actresses who needed headshots to find work. 
You still came to the shoots when you could especially when they were filming a scene together like today. As Steve slammed his release into the man below him, Eddie spilled onto the sheets in front of him while his tongue continued to rapidly flick at the clit in front of his face till the actress trembled and screamed obnoxiously in pleasure. 
“Cut! Good job everybody. That’s wrap for the day and I’ll call you guys if we need any reshoots.”
“Thanks Cal.”, Eddie beamed as they both sauntered your way. “Baaaaby.”
It was no longer a secret within the industry that were dating the hottest stars in porn especially now that you were your own agent and you appreciated being able to have regular couple PDA instead of hiding your relationship. 
“You guys did so good.”, you smile as you tilt up to kiss both their lips. “Are you ready to head home?”
“Yeah, we just need to grab our things. You don’t need to go by the office or anything?”, Steve asks.
“Hm not tonight.”, you answer as you watch them get dressed near their bags. “I’m still waiting for a call from Diamond Studios. The owner has phenomenal productions and I would love to get some clients in that door.”
“They’ll call, baby. They’d be insane not to.”, the metalhead praises as they take your hands in theirs and you head towards your car. 
***
Steve softly grins at you as your eyebrows scrunch together while sorting through some of your work documents in your shared bed. They were always attracted to your work ethic and need to make sure everything goes smoothly. They experienced it first-hand since day one and it was one of their favorite things about you. 
Dipping towards his nightstand, he grabs his camera, focusing it and taking a picture of you without you realizing until you hear the little click sound. 
“Steve.”, you giggle. “What are you doing? I’m a mess!”
“I think you look beautiful; wearing one of Eddie’s shirts with your hair up in that ‘I’m trying to focus’ messy hair bun.”
Rolling your eyes, you lightly kick him with your foot as you both laugh and the metalhead tosses a grin your way. 
“Hey. Come here, sweetheart, and look at this.”
As you curl up closer to Eddie’s side, he lifts his arm to wrap around your shoulders and adjusts the laptop he had been staring at for a while so you could take a look. On the screen was a gorgeous one-story, four-bedroom house with a lot of square feet that expanded the length of what seemed like a property near the beach. 
While flipping through the individual photos, both men commentated on every one. 
“That would be a good home office for you, honey. You can keep the window open and listen to the waves.”
“I can use this room for my guitars and recording when I work on my music.”, Eddie adds. “This basement area here Steve can use for his photography developing and equipment.”
“Oh, baby, look. We could sit on that patio at night and just relax.”, the other boy grins as he leans against your bicep.
“It is a beautiful home.”, you smile. “Whose is it?”
“Ours.” Their eyes watch as you sit up and furrow your eyebrows in confusion. “If you really do like it, of course.”
“Eddie… this is a beach front property. It’s most likely super expensive.”
“Not super expensive but it definitely had a price tag. With Steve and my income alone we were able to put a good chunk of money down. I just got the email from the realtor and they said we could move in within a couple of months.”
“But…I…” Your mind continued to reel as you tried to comprehend what was happening. “We don’t need thatmuch space. You know I can work from anywhere in the house and what would that additional room be for?”
“We were thinking our kids.”
You blinked and exhaled heavily at his words.
“Baby, Steve and I have been thinking about this for a while. You’ve been with us through everything for the last 5 years and our porn careers are at the highest they’ve ever been.  Now we want to experience the rest of our lives with you and that includes a family.”
“Not right now of course but whenever you’re ready, baby girl.”, Steve coos as he brushes some of your hair behind your ear so they can see more of your face.
“I didn’t think either of you would want to have kids with me.” Genuinely taken aback by your statement, they sit up and turn their bodies more to face your direction. “I’m sorry… I know it’s been so long since what happened at the wedding but…” At your mention of the event that caused them to lose you for a couple of weeks, they couldn’t help but hang their heads. “… I know you both have come so far when it comes to me and our relationship but since we never really talked about having kids I just assumed after what you told me back then that—”
“We’d be too afraid to have them.”, Eddie finishes for you. “I can understand why you would think that but, honestly sweetheart, when I look at you and think about having a son or daughter I don’t feel any fear.”
“You showed us we can be good men and we know with you by our side, we’d be good fathers.”
Smiling at their answer, you tilt towards them and give them each a soft kiss on the lips. 
“Yeah you would. Ok, let’s do it. I think it’s the perfect home for us and our future little family.”
###################
“Steve Harrington why are you taking my picture?”, Eddie chuckles as he strums his guitar.
“Hey, I take pictures of everyone and you’re giving me a good photo op right now.”, the other man grins as he snaps another. 
“I think you’re just bored because Y/N’s in her meeting.”, the metalhead teased. 
This morning you had gotten a call from the studio you had been waiting to hear from and left in the afternoon to meet with him at his office. Unless they had a gig you scheduled for them, both men usually did their own thing around the house until you came back home or visited you in your office like they used to. 
“Hey baby.”, Steve coos as he turns to face the front door when he hears it open before his features fall and Eddie watches him run forward, getting up to hastily follow. “Y/N, what happened?!”
As they skidded to where you were kneeling on the floor, the long-haired boy cupped your cheeks in his palms as his eyes scanned over the blood coming from a cut on your temple near your eyebrow.
“I’ll get the kit.”, the other man declared as he ran towards the bedroom. 
“It’s ok, sweetheart. Everything’s ok. You’re safe now.”
Steve slides to the floor again and tears through the box, finding what he needs as he places the cotton on you wound making you wince.
“I know. I know, baby girl, I’m sorry.”
Carefully, Eddie reaches for your blouse but you flinch as you try to lift your arms. Not wanting to cause you anymore pain, the metalhead rips your shirt with his hands and his jaw tightens when he sees the indent of where your shirt had been yanked against your skin. 
“What happened, Y/N? Did that fucker hurt you?”
Instead of answering, you tackled your arms around him as you sobbed in his embrace.
***
Without saying a word, Steve opened the door to allow TJ into their home. Your former boss took in the situation before him as he nodded a silent hello to Eddie who was sitting beside you on the couch. 
While you were in the shower they called TJ thinking he may be able to get you to tell them what happened since you hadn’t said a word since you came home. He had known you way before you met them and you told them once you thought of him like a father figure so they knew you felt safe with him. 
Grabbing one of the dining room chairs, he placed it in front of you and took a seat. 
“The guys told me you three were looking into a house by the beach. Good because this house is way too small for you, angel.”, he chuckles as he nonchalantly glances around the living room. “You were always meant for bigger, better things.”
Your bottom lip quivers at his compliment and Eddie tenderly pets your head as Steve’s worried eyes continue to rake over you from his place against the wall. 
“I also heard you were trying to get in touch with the owner of Diamond Studios. The guy who started it was a good man before he retired. I never got to meet the man he passed it off to. But you did this afternoon, didn’t you, honey?”
As you nod, you wipe your eyes with your fingers as the tears begin to fall. 
“Did you go to the studio?” He blinks and exhales with a bit of relief when you nod again. “Good. I always said, ‘Never meet anyone at their house alone no matter what they say.’”
“H-He lets his employees go at 2pm.”, you whisper.
“Her meeting was at 1:30.”, Steve growled as his fists clenched under his crossed arms. 
“When did you start noticing something wasn’t right?”, TJ asked in a comforting tone. 
“He asked me questions that w-w-weren’t about my agents. He asked if I’ve ever been in front of the camera and what I enjoyed… I told him if he wasn’t interested in my agents and their clients then I had to leave.”
“Good, good. Then what happened?” As you began to stutter over your words, your former boss grabs your hands and softly holds them in his. “Take your time, angel.”
“H-H-He grabbed my arm when I tried to get up and s-s-said that he knows I want this because…”
“Because you’re with us.”, Eddie finished when you paused. 
“We fought and he hit me…”
“Ok, honey. Is that everything?” When you nodded again all three men sighed in relief. “You’re safe, baby, ok?”
You blinked as your eyes met his. TJ always called you angel but only ever called you baby when that protective dad mode kicked in. 
Rising to his feet, he tenderly kissed your forehead before gesturing towards the kitchen for the other men to follow. 
“Do you know where he is right now?”, Steve grumbled trying to control his temper. 
“No but I can find out. Give me 10 minutes.”
His eyes followed you as you ran after both men as they disappeared down the hallway to the bedroom. 
“Take me with you.”
“Stay here and we’ll be back in about an hour or so.”, Eddie commanded as if he hadn’t heard you.
“I’m not waiting here while the men I love go out there and defend me. We do things together.”
“This isn’t a fucking date, Y/N. Now, do as we say and stay here.”
“NO, DADDY!” They paused, turning to face you as you screamed their way. “No. That asshole hurt me. I deserve to see you do whatever you two are planning on doing.” Your defiant features began to falter slightly as the tears began to fall again and the metalhead stepped forward to caress your cheek. “I won’t get in the way, Sir, I promise.”
You saw it in their eyes the more you spoke. The titles were in the driver’s seat the moment you stepped through the door. Someone had the audacity to hurt you and they were going to do whatever needed to be done to not only show you that you were safe but to show the outside world what happens when you hurt what’s theirs. 
“His name is Bryce Hunter. He’s at a party at some swanky house downtown.”, TJ rolls his eyes. “I can get you in and then after I deliver my message you can deliver yours.”
##################
“Hey, TJ! How are things going, old man.”
All three men were on alert but especially Eddie and Steve as their angry eyes took in their surroundings. Covered in the metalhead’s leather jacket, you kept your head on a swivel as you searched, trying to help them find who they were all looking for. 
“Not so good, Trent. Do you know where Bryce Hunter is?”
“Pfft, that asshole.” The man rolls his eyes as he points towards the stairs. “I saw him go upstairs with one of the other actresses.”
After patting his back as if to say thank you, TJ heads that way and begins opening doors with you by his side, murmuring apologies along the way to every unfortunate couple he caught in the act. At the last door he banged open, a man and a woman hastily jump apart as you back up and take Eddie’s hand in yours. 
“That’s him.”
“Miss, go ahead and head back downstairs. Trust us, you don’t want to have anything to do with this guy here.”
As she straightens up her dress, her wide eyes meet yours as she takes in the bandage on your face. Nodding her head, you can tell she knows and understands, squeezing your palm on her way out for emphasis before closing the door after she leaves. 
“The fuck is—”
TJ’s fist hits Bryce’s face hard and as he falls to the floor you back out of the away as your boys step forward to stand at his side. 
“Hey Bryce. My name is TJ. I don’t think we’ve met yet but I assure you that you are never going to forget my face.” He punches him again and grabs his collar, yanking him up right. “You see that girl over there? Not only did I train her to be the agent and company owner she is today but I’d like to think of her as part of my family. You hurt someone in my family, Bryce.”
“I-I-I—”
“Congratulations, we’re going to make an example out of you tonight. If you or any other person even thinks about touching Y/N Y/L/N, we’ll be by to visit again and we won’t be so nice. Most people in the industry here already know that but just in case can you double check?”
“Y-Y-Yes, sir. I’m…I’m so sorry. I didn’t mean to—”
“Oh, Bryce. Yes, you did.” TJ rises to his full height and gestures towards the man on the floor. “All yours, gentlemen.”
“Wait! Wait, I thought—”
“You thought wrong.”, Steve growled as he grabbed the man’s collar and punched him hard.
Your former boss gave you a small smile as you silently thanked him before closing the door behind him.
***
The entire car ride back home was silent but every mile that passed you felt the energy get thicker and thicker with need. The way their dominance oozed while protecting you drove you insane especially when they spoke.
“You had the fucking audacity to put your hands on any woman but especially ours.”, Eddie grumbled as he kicked Bryce’s stomach. “She deserves respect.”
“I’m sorry! I’m so fucking sorry.”, he cried. 
“Oh no, little boy. Are you crying? Are you scared? Probably about as scared as she was when you told her she was a whore and hit her across the face.”, Steve seethed through clenched teeth. “If I were you, I would beg her for forgiveness because your fate is in her hands.”
Bryce’s wide eyes flicked between you and the other two men. 
“You don’t want that up to us. If we had it our way, you’d be in the fucking hospital by now. What do you think, baby? Has he been punished enough?”
When all you do is glare his way, he begins to plead desperately. 
“Please, Y/N. I’m so sorry. Nothing like this will ever happen again. I promise. I learned my lesson.”
“You’re right, it won’t. I’m going to do everything in my power to make sure your studio is shut down and you never hurt anyone else again.”
“NO! Y/N, please, I can’t—”
When he ran forward, Eddie grabbed his collar and threw him back to the ground. 
“You should have thought about that before doing what you did and we’re going to help her follow through with that.” 
As he kicked him again, your hand reached out to grab his arm. 
“That’s enough, Sir.” His chest puffed out as he continued to heavily inhale and exhale, desperately wanting to hurt this man more. Facing Steve, his equally rage filled eyes seem to calm as they meet your softer ones. “I think we’ve punished him enough this way, Daddy.”
Blinking, he curtly nodded and took your other hand as you three walked back out into the party. 
Pausing in the doorway of your house, your palm tugged their arms causing them to stop and look your way. You had closed your eyes to try and suffocate the tears that had begun to fall, frustrated at the feeling of being helpless.
“You’re not weak.”, Eddie murmured as he stepped towards you. “What happened wasn’t your fault. I’ve known you for almost six years and I’m 100% positive that you went in there was the same strength and power you always carry. Don’t let a fucker like him make you think you’re anything but.”
Taking your hands in his, he rests his forehead against yours. 
“You’re also not weak for being scared. Someone tried to belittle and hurt you. He put his hands on you…”, he growled, closing his mouth as he exhaled through his nose making you cup his face in your palms. 
“Is it werid that…I was more afraid for you? I don’t want you to get hurt or lose everything because of me…”
“Baby girl…we would give up everything willingly for you if it meant keeping you happy and safe. You think we care about our fucking careers or anything else more than you? No, little miss. If we ever lost you…” As Steve’s eyes close and his head tilts, you quickly jump into his arms as he holds you tightly. “Fucking asshole is lucky we didn’t fucking kill him.”
Your lips almost desperately crash to his as the needy energy within you implodes. Steve blindly carries you towards the nearest flat service he can find and places you on the kitchen counter as you hastily tug at his belt buckle trying to free his cock from its confinement. 
It’s a bit manic the way you pull off your shorts and panties while clinging to his collar to bring him as close to you as possible. You hadn’t even removed Eddie’s jacket loving the heavy comfort it brought you but you needed more. Spitting into your own palm, Steve groaned as you stroked along his length before slowly guiding him into your core. 
His large hand takes hold of your lower back, bringing you closer to the edge of the counter as he rolls his hips at a needy pace. Your arms wrapped around him as he rested his head in the nook between your neck and shoulders. With every slap of his hips, his warm breath would warm your skin as he panted out a groan. 
“I love you, Daddy, so much.” In response, Steve’s lips attached to your throat as his tongue grazed your flesh. “Thank you for protecting me and taking care of me.”
At your praise, his rhythm increased as he pounded his cock deeper into your cunt eliciting a loud mewl that had you biting into his shoulder. 
“Fuck.”, he whimpered as his fingers threaded through your hair and pulled lightly as he felt your body tremble against his as you came. 
Tilting your head back, his lips sloppily kissed yours and you hummed at the taste before you felt him back away and ring covered fingers gripped your thighs as you were lifted once more.
Eddie had already removed his shirt and as your nails dragged down his chest he couldn’t help but moan as he carried you halfway down the hallway before stopping to press your back against the wall. 
Just as you had done with Steve, you circled your limbs around his neck and the metalhead kept one hand on you as he choppily pulled down his shorts just enough for his cock to spring free. Ever the master of his craft, Eddie utilized his hips to guide himself inside you and adjusted you around his waist. 
“Mmph—I love you, Sir. I a-always feel safe with you, baby. Thank you. I’m so happy I belong to you both.”
His grunts had your eyes rolling closed as he continuously hit that sensitive spot inside you that only they could every reach. That desperate feeling washed over you again and you held on to him with all the strength you had as your maneuvered your hips to meet his animal-like thrusts with ones of your own. 
As the coil snapped, you rode out your high and whimpered his title till the ecstasy subsided. Pushing his face into your neck, you petted his head as your soft voice hit both their ears. 
“I didn’t get scared until he grabbed my shirt. I thought I could talk my way out of the situation like I had done before when I was uncomfortable but when I started to leave and he grabbed me…” When your voice cracks, Eddie leans back so he can see your face as your eyes meet his own. “I know it sounds dramatic but when he hit my head and I hit the floor…all I could think about was you and Steve. How you’d be alone and hurting if I didn’t…make it back home.”
As you sobbed, the metalhead pressed you tightly to his chest and carried you to your bedroom with the other man close behind. After fully undressing you and laying you between them, their lips gently kissed your skin as their hands pet your head or rubbed along your arms. 
After lifting one of your legs over his waist, Eddie and Steve guided themselves into your body and a heavy exhale mixed with a mewl left your lips. This is how it was supposed to be; the three of you together. 
Between them and tangled in their arms is where you felt the safest. 
“I’m so sorry this ha-happened, sweetheart.”, Eddie groaned. “Something like that will never—mmm—never happen again.”
“Because now they know…”, Steve followed. “…what will happen when they fuck with our girl.”
“Ours.”, you repeat as your fingers hold the man’s hand while cupping the metalhead’s cheek with your other. 
“Yeah, little miss. Ours. Fuck.”, the long-haired boy whimpered as his lips met yours and both their rhythms matched as they pounded into you, their cocks abusing all of your sensitive areas as you became putty in their grasp. 
“M’gonna cum, Sir. Please, baby, j-just like that. Can I—”
Eddie’s aggressive nodding cut off your question and your face pressed into his shoulder as you let go, clenching around him as you came. He soon followed with a strained sounding grunt as fingers tangled in your hair and his hips sputtered as he filled you up. 
“C-Cum…Cum, Daddy. Please…I need you to.”
Steve’s sweaty body presses flat against yours as he rolls his hips roughly till you feel his release warm your insides. 
Nobody moved as you listened to their breathing slowly return to normal. After a while, they carefully pulled out of you and turned on the shower, waiting for the steam to rise before stepping side. A small smirk painted your lips as they descended on to the tile floor with you in tow, choosing not to even ask this time if you wanted to sit. 
Steve delicately ran a rag over your body but your hand abruptly grabbing his gave him pause as you looked over his knuckles. 
“Does it hurt?”, you ask in a curious, little voice that tells them you haven’t fully exited the headspace yet. 
“No, honey. I mean, it stings a little but probably nothing compared what that asshole is feeling.”
Before you can get the chance, Eddie flashes you his hands to show you the minimal cuts he was now donning on his own knuckles. 
“My rings took a lot of the impact. When I get into a fight I usually take them off to be fair but this fucker hurt our girl. He doesn’t get fair.”
You nod as your eyes fell and you curl up into his chest. 
“What are you thinking about, pretty girl?”
“I…I didn’t like the way he made me feel vulnerable. It…made me feel like…when I was a kid and my parents would scold me and my brother about being evil. He kind of…mentally pushed back…to a place I long let go of…”
Turning off the water, both men helped get you dry and placed you on the counter by the sink so they could look over your own wounds. 
“We can understand that. When your vulnerable with us, you’re still in control. You know we would never hurt you. With your family and then Bryce…you felt trapped.”, Eddie explained, validating your feelings as he brushed your hair away from your face so he could place a new bandage on your cut. “Don’t ever forget, sweetheart, that you always have us. No matter where you are, you’ll never be trapped or stuck because we’ll come save you.”
“Kind of sounds like we’re the mob.”, Steve chuckles as he watches his friend cover the gauze with a band aid before placing a gentle kiss on your forehead.
“Hey now, Stevie.”, Eddie responds with a fake gangster voice that makes you giggle. “This is our baby girl and NO ONE hurts our girl or else they swim with da fishes, ya hear?”
You’re still laughing as he lifts you in his arms and carries you back to bed. 
#############
3 Months Later
“Lucky, slut! Then again, I can never sit still long enough to have a home let alone one by the beach. Lol. It’s a beautiful view, Y/N. I can’t wait to come and visit.”
You grin at your brother’s text as you place the phone down on the table and lean back in your chair to admire your nighttime view of the beach setting in front of you. You three, TJ, and Avery had spent all day moving your things from their house to this new one as well as any of the new furniture you bought on the guy’s instance for the new space to feel more like a home. 
“Alright, I think that’s everything. Now you just need to have a homecoming party to christen it.”, your former boss beams as he takes a seat beside you and takes a sip from the beer in his hand. 
“I believe it’s called housewarming, not homecoming.”, you giggle. 
“Eh, tomato ta-ma-toe.”, he shrugs before gesturing towards your phone. “I, uh, heard that Bryce Hunter was fired from Diamond Studios and a new head took over the company.”
“Huh. You don’t say.”, you playfully pout as you tilt your head. 
“Yeah, some kid is in charge of the studio now. Avery something, I think.”
“What did I do?”, the man inquires as he takes a seat near you. 
“Look, I just made a call to some people and suggested an amazing young man who I knew could handle a business like that and would be respectful of all the people in the productions.”
“Oh, you’re talking about Y/N getting me the job of head of Diamond Studios.”, Avery giggled as TJ jokingly rolled his eyes. 
“Nothing gets past you, kid.”
“Oh, don’t act like you aren’t proud of him. We both know you have a kind heart, old man.”
When your eyes meet his, you deliver him a soft smile silently thanking him for everything he’s done for you and in return he reaches over and tenderly pats the back of your hand. 
“Shit! Steve, get your camera. TJ’s showing affection.”, Eddie shouts as he tosses a pizza box onto the table as your boss lets you go and sighs. 
“See? This is why I don’t tell you people anything.”
Steve lifts you out of your seat to take it and pull you on to his lap. 
“Thank you guys for helping us move. We really appreciate it.”
While everyone talks and enjoys the meal, you take in your little chosen family. Your parents always believed that certain behaviors were sinful yet from an early age none of it made sense to you. To you, these four men were angels and you had no idea where you would be without them. They made you feel loved unconditionally and you trusted them with every fiber of your being. You felt safe and protected which is something you never had growing up.
“Hey, you. Everything ok?”, Eddie asked later that night while you were in bed staring out the sliding glass door that led to the patio outside. 
“Yeah. I’m just thinking about how lucky I am to have you two and the guys.”, you sigh pleasantly, giggling when tattooed arms wrap around your tummy and spin you to the middle of the mattress where Steve lays on the opposite side. 
“Hey. You deserve this.”, he grins as he gestures absently around the room. “You deserve to be happy.”
“So do you.”, you smile back as you kiss his lips. 
“Trust us, princess. We’ve never been happier. You changed our lives, baby, and for the better.”
Tilting your head back you kiss the metalhead’s lips as well as he yanks you closer to his chest. 
“Speaking of ‘baby’. When, um, when did you guys want to…I mean when were you thinking…?”, you stutter making their grins grow. 
“Whenever you want, little miss.”
“I can schedule an appointment with my doctor to get off the birth control but whose, um,…”
“Oh my God, Eddie look. The porn agent is blushing at the word sperm. That’s so cute.”, Steve teases as you cover your face with your palm trying to hide.
“No, sweetheart, no don’t hide. Harrington and I planned this out. We’re going to duke it out battle of the death style and whoever is still standing gets to give you sperm.”
They laugh harder when you lightly elbow him in the side and your cheeks get even redder. 
“It’s ok, baby. We were thinking since we’d both be dad you know we didn’t need to know. We can just both try… no matter who helped create them they’re ours.”
“Ok. Whatever makes you comfortable.”, you smile, turning red all over again when they both kiss your cheeks. 
###################
Im working with an old tag list so bear with me <3
@gracieluvthemoon @e-munson666 @alienthings @lunatictardis
@corrodedcorpses @whoringtonmunswhore @big-ope-vibes
@eddiesguitarskills @brittney69 @mandyjo8719 @hugdealer
@h3llo-k1tt @mynameismothra @local-stoner-bitch
@miarosso @imjuststeddietrashatthispoint @arianafreckles
@sweetpuffy12 @mybradforddream @sugar-haus
@manda-panda-monium @justsheerfilth1
@wroteclassicaly @micheledawn1975
@erinsingalong @imogen-m-h @playfuloutcast @spookedbydawn
@cinnamapup @bimbobaggins69
@justmeandmymeanderingthoughts @skyesthebomb
@sherrylyn628 @eli-flower @aejae-ssi @atomiclilac
@anaibis @chelebelletx @kik51199 @dashingdeb16 @nailbatanddungeon @hardladyheart
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lumiereswig · 7 months ago
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I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:
It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."
If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.
The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.
My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.
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thetomorrowshow · 4 months ago
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intruder
backstory of why jimmy and scott moved out of the super neighborhood in my empires superpowers au!
cw: murder (in SELF-DEFENSE) of an unnamed character, blood/violence, like a decent bit of it, injury, dissociation
~
Scott’s been missing for two days.
Scott’s been missing for two days, and Jimmy isn’t going to wait around doing nothing.
The news had come in the form of a knock on the front door, around 3pm on the first day. Jimmy doesn’t officially live at Scott’s house, but he spends a fair amount of time there, and now he pushes back from the kitchen table and heads to the front door, snapping on the mask that hangs on a hook by the entrance.
“Oh, hi, TJ!” Blossom says when he opens the door to find her on the step, flowers actively winding around in her hair. “Is Major around?”
Jimmy frowns, checks his watch. “Um, he left for work this morning, around eight? He shouldn’t be back until four, at the earliest.”
Why would Blossom be asking him this? Don’t they all have some sort of hero group chat?
“Are you sure?” Blossom’s smile drops. “Did he say he was headed somewhere else?”
“Just to work,” says Jimmy. “Why? What’s up?”
 Blossom bites her lip, the flowers in her hair wilting. “He never showed,” she says. “He isn’t responding to messages.”
That’s enough for Jimmy to shut the door and run back to the table, grabbing his cell phone. Then he returns, pulling it open again. Blossom is still there, looking a little surprised.
Jimmy pulls up his contacts, clicks on the one labeled ‘scott :) - super’ and hits call.
“You’ve reached Major, I’m probably winning a battle right now. Send me a text and I’ll get back to you when I have a moment.”
Straight to voicemail.
That can’t be good.
“Try the Mad King,” Jimmy tells her. “I’m still working until four, but keep me updated. Do you have my number?”
But Blossom never texts him any news.
And Joel tells him, that night, that Scott’s officially missing, and they’re moving Jimmy to a safehouse.
So it isn’t even 8pm when Jimmy finds himself in a small apartment downtown, the dim light of the setting sun half-illuminating the single room.
And Jimmy stays there all night, staring at his phone, as his worry crescendos over and over again, blowing out lightbulbs and spoiling food can by can.
They still haven’t found him in the morning.
Jimmy can do nothing but sit, alone, in this cheap, unused apartment of Joel’s, waiting for some message that his boyfriend has been found.
But there’s nothing, and Jimmy isn’t going to wait around doing nothing when Scott could be getting tortured right now.
Because that’s it, really. When Jimmy went missing, it was because some horrid, insane villain kidnapped him and ran experiments on him and treated him like an animal—
One of the blades on the floor fan comes off, crashing to the bottom of the fan cage.
Jimmy takes a deep breath.
He can’t continue to sit here on the ragged carpet (because there’s no furniture other than a single folding chair and a mattress) while Scott could be going through the exact same things that he had been subjected to.
Or worse, he thinks, pushing back a sickening memory.
So Jimmy packs up his little backpack that he hasn’t actually unpacked yet except to get his toothbrush, grabs the mask he’d left on the kitchen counter (which he balls up and shoves in the pocket of his jeans), and leaves, ready to find Scott.
Where does Scott usually go first?
He covers all of the city, but rarely ventures away from the most densely populated areas. Downtown is one of his favorites to frequent, as well as the pier.
Good thing Jimmy knows downtown like the back of his hand.
He catches the bus like it’s second nature, the schedule practically tattooed on the inside of his eyelids (despite the fact that he rarely rode the bus for fear of causing an accident. He learned it in case anyone ever asked him the bus schedule). He hasn’t spent much time out and about on his own, but he can get around and he’s lived with Lizzie long enough to know how to go somewhere by himself. That doesn’t mean he isn’t careful: he sits at the back of the bus with his back pressed against the window and watches everyone, careful to sort them into threat categories and keep tabs on everyone.
It’s exhausting. It always is.
It isn’t long at all before he leaves the bus at one of Scott’s favorite places—right across the way from the elementary school. Scott heads here first thing most mornings, keeping an eye on the children as they arrive at school.
The mask is scrunched uncomfortably in Jimmy’s pocket. He wishes he could put it on. He hates going out in public—not without at least a baseball cap.
It feels like everyone at this park is watching him.
Any of them could be in league with whoever took Scott. Any of them could have been one of the thugs that worked for Xornoth. Any of them could be someone he hurt in the past.
Every time someone walks past him, Jimmy automatically tenses. That woman could attack him. That man could crush his skull. That child could be a distraction. That man could grab him and pull him into an alley.
Jimmy shoves his hands in his hoodie’s pocket so that he doesn’t have to look at how they tremble. This is why he doesn’t go places alone. This is why he works from home right now.
This is why people need to not get kidnapped. Specifically the people that can help him not panic about being kidnapped.
Right, now, does he usually patrol around the school? Or just wait out front and watch the kids go in?
If he was Scott, what would he do?
Scott would probably patrol. He likes to be moving, likes to show off his skills.
So Jimmy hikes out of the park and crosses the road to the school, following the sidewalk all around the building.
On one side is an alley between some run-down apartments, and Jimmy passes through, keeping a close eye on anything out of place. Any knocked-over trash cans, any smears of dirt or dried blood on buildings, anything that could be the signs of a struggle.
He feels more and more anxious the further down he goes, swallowing back the thrumming of his power within him, the scar at the base of his skull burning.
He can’t cause an accident here. He's next to an elementary school, he can’t risk it.
Can he?
What accidents can he cause here?
Jimmy’s never really reached out with his powers before on purpose—not in a long time, not in a searching way.
But his powers can cause terrible things to happen, things as far away as inside the school, and if his power can know that there’s things that far away to ruin, then can’t he know, too?
So he reaches out into the surrounding buildings.
There are a lot of people here.
That’s the first thing he feels.
There’s hundreds of children in the school, and one of these buildings is an apartment complex, and Jimmy can’t see them or even really sense them? He just . . . knows that they’re there, in some kind of . . . sixth sense?
There are so many other things that he knows are there, but can’t verbalize. He simply knows, to an overwhelming degree, the contents of everything around and maybe there’s a reason he’s never done this before because he thinks he’s going to be sick—
“TJ!”
Jimmy flinches, hears something crash in the distance. He wheels around—this could be it this is the moment he’s kidnapped—, only to find fWhip standing at the mouth of the alley.
“Why are you out and about?” fWhip asks, moseying over, hands in his pockets. “Don’t you usually stay home from the cool parties?”
Right. He knows fWhip. Kind of. fWhip is nice, right? He helped save him.
Jimmy isn’t wearing his mask. Which is fine. It’s fine to not be wearing it, because fWhip recognized him anyways and his secret identity isn’t contingent on a mask anymore.
“Um, I’m looking for Major,” he says, head still spinning a bit. “He usually goes here every morning, and nobody saw him for his whole shift, so if he got kidnapped it was probably near—”
“Wait, Major’s missing?”
Jimmy frowns. “Yeah, did you not hear? He disappeared yesterday.”
fWhip checks over his shoulder, adjusts his goggles. “Okay. Not good. And if Major’s missing, why aren’t you in a safehouse?”
“Well, I was,” Jinmy says, looking down at his feet. How has he been caught already? He just barely left!
“But you couldn’t stick around when Major could be . . . being tortured?” guesses fWhip.
Jimmy shifts uncomfortably. “Yeah,” he says dejectedly. “But I can go back. The Mad King would—”
“Nah, don’t do that. I’m not going to make you do anything you don’t want to. Do you need help looking?”
And before Jimmy can so much as process what he’s said, fWhip is reaching up to the window in the building beside them, testing the latch and finding it open.
“Let’s check out this place,” he suggests, shoving the window open and grabbing the sill, pushing himself up and into the window in an impressive show of upper-body strength.
Jimmy blinks.
He didn’t expect to be joined in his search.
Let alone by fWhip.
“Okay, nobody’s here,” fWhip calls out the window. “You coming?”
“Is there a door?” Jimmy asks halfheartedly.
fWhip shrugs.
Jimmy sighs, grips the windowsill (a bit lower for him than it had been for fWhip), and heaves himself up, legs kicking for purchase on the wall and arms trembling under his weight.
He falls back once, arm scraping a bit against the sill, then manages to pull himself up the second time, his ribcage pressed in painfully against the windowsill, where he hangs for a moment before tipping over and landing in a heap on the other side.
“Try to roll when you come in,” fWhip advises as Jimmy picks himself up. “It’s easier. And way more cool.”
“I’ll remember that,” Jimmy grumbles, brushing the copious streaks of dust off his hoodie.
“So we’re looking at an abandoned first floor of some office building, I think,” fWhip says, flipping a switch on his goggles. “See anything?”
Jimmy looks around. It’s a fairly large space, the concrete ground scarred by the torn-up carpet (some of which still lies in an awkward heap against a wall), a single dead office chair sitting in the middle of the room. Otherwise, there’s some brightly-colored papers in a corner, and—
The front door slams open.
“TJ,” comes a suspicious and familiar voice.
The Mad King is standing in the doorway.
“Rats,” fWhip says, frowning. “Did you follow me?”
“You and Mythics are always up to no good,” Joel tells him dismissively, before turning back to Jimmy, arms crossed. “Why are you here?”
“Um . . . looking for Major?” Jimmy tries.
Joel raises an eyebrow. “With fWhip? Come on, TJ, if you were going to break house arrest it should’ve been with someone respectable.”
“Hey!”
“Come on, back to the safehouse.”
“But—”
“TJ,” Joel says firmly. “We aren’t arguing about this. I’ll keep looking for Major, yeah? You need—”
“But I, I can help!” Jimmy insists. This isn’t fair, he shouldn’t be locked up when his boyfriend could be going through the worst experiences of his life—
“Jimmy,” Joel grits out. fWhip makes a ‘yikes’ face, turns to start going through the neon papers in the corner.
“Since Major has been kidnapped, they will want to get the people he cares about the most—you,” Joel stresses. “They will want to hurt you to get him to give up whatever information they’re looking for. That’s why—”
“I know, I know, but I can defend myself,” argues Jimmy. “It’s—it’s Sc—I mean, it’s Major. I have to help. And I know—”
“You’re helping by staying safe,” says Joel. “I’m not arguing about this, okay?”
“Who would have a bake sale and then put the signs in an abandoned building?” fWhip murmurs, examining one of the said signs.
Which is stupid.
This is stupid.
How does Joel expect him to just sit there?
How can he tell Jimmy to go hide and let Scott get hurt?
But there’s no point in fighting this.
“Maybe there’s some way you can help from the apartment, okay?” Joel says placatingly, and Jimmy rolls his eyes.
“Sure. Fine, take me back, officer.”
“Don’t get an attitude with me, young man,” Joel warns, sputtering jokingly, but Jimmy’s stomach squirms just the slightest bit.
He’s not a child.
“fWhip, I’ll be back here in half an hour, okay?” Joel says. “Let me know if you find anything.”
Then he strides out the door, Jimmy reluctantly following along behind.
-
Joel finds Scott the next day.
It’s a small place, a closed mechanic shop, near the East side of the city, where this particular gang of villains decided to keep him.
Joel finds him by checking the security footage of the elementary school. He sees, in the corner of one of the cameras, a couple of neon signs hanging on the side of the building fWhip and Jimmy had broken into.
Backing it up a little bit, Joel finds the car that carried the people who hung up the signs (something they did several hours before dawn).
And when he tracks down that car, he finds Scott.
Jimmy receives the text that Scott’s been found and instantly calls Lizzie, begging her for a ride home. Lizzie agrees, and when Joel and Scott come through the front door, Jimmy is there waiting, a frozen pizza in the oven.
Jimmy drops everything, his stress releasing in a little burst of power that crashes his phone and knocks all the cushions off the sofa, hurrying toward Scott.
Scott looks absolutely exhausted. His suit is torn here and there, his hair tangled and greasy, his eyelids drooping. But he gives Jimmy a small smile and acquiesces to a gentle hug.
“Glad you’re safe,” Scott murmurs. “I was worried.”
Jimmy chuckles, pitched a little high with nerves. “You were worried? Imagine my state!”
Scott pulls away, plants a small kiss on Jimmy’s lips before tugging off his mask, mouth twisting in a grimace.
There’s a large bruise on his cheek, and a small line of them down his jaw, but he otherwise doesn’t seem to be in very bad condition. Still, Jimmy frets, hands twisting anxiously.
“Where are you hurt? Do you need to get checked out? You really should go to the hospital, just in—”
“I’m fine,” Scott cuts him off. “Just some bruises. It’s all right.”
Even so, Scott stands there patiently, as Jimmy takes in every part of him.
He seems to be telling the truth. Nothing looks broken or like it’s bleeding too badly. He’s holding himself a little gingerly, though, that could be a broken rib—
Jimmy prods at his chest and Scott steps back, hands over himself.
“It’s not broken,” Scott says, teeth gritted. “Joel already tried it. Just a deep bruise.”
“Probably the worst kidnappers I’ve ever seen,” Joel calls from the kitchen, where he’d gone after pushing past the two of them in the hall. “Didn’t even know how to torture him properly.”
Torture? “Scott, I’m so sorry—do you need anything? Should I schedule you a therapy appointment?”
Scott bursts out laughing. “Thank you, baby,” he says. “I’m fine. I promise. Just tired.”
“And an idiot,” adds Joel. “How’d you manage to get kidnapped by such an incompetent lot?”
“Their signs said homemade croissants,” Scott moans, walking into the kitchen as if nothing ever happened (though his arm is still wrapped around his ribs). “You know I love supporting small local businesses.”
“’Twas your downfall,” Joel intones, snickering. “Sorry, mate.”
Jimmy follows awkwardly, not entirely sure how to behave.
Scott’s . . . fine?
He hadn’t even considered that as an outcome. He hadn’t dared to think that Scott might return without severe injuries, without being traumatized by the torture and greatly needing help returning to the real world.
Like Jimmy had been.
He doesn’t know what he can even do.
How can he help Scott when Scott doesn’t need help?
So Jimmy just kind of hovers, near Scott, as he sits there and eats pizza and jokes a little with Joel.
Then Scott leaves to go shower, and Joel shoots Jimmy a sympathetic smile.
“He’s fine,” Joel assures him. “He may be a bit clumsy for a while—his hands were zip-tied pretty tightly together—but he’s really fine.”
It’s hard to believe him.
But Jimmy just nods and resolves to not treat Scott strangely. He’s fine, after all.
If he’s fine, then so is Jimmy.
-
That night, there’s something wrong.
Jimmy wakes up quite suddenly, the odd sixth sense that he’d probed at the other day ringing with the notice that something is off.
He doesn’t know what. He doesn’t know what’s changed in their surroundings, but he knows that it’s not quite right and he needs to be aware of it.
Jimmy blinks open his eyes, glances over to Scott to reassure himself that his partner is safely there.
And leaning over Scott, a knife gleaming in their hand and poised above Scott’s chest, is a person dressed in black.
Jimmy reacts immediately.
He dives over Scott, knocking the man’s arm just as he sinks the knife down—Scott wakes with a cry of pain, the knife carving a jagged line in his chest and up his shoulder as the man is knocked off course.
Jimmy rolls off of Scott, faces the intruder for a brief second.
The intruder spits out a curse, then barrels into Jimmy, brandishing his knife.
Jimmy moves on instinct. He grapples with the man, twists his wrist with the knife—the man slashes at him, but Jimmy twists further until his grip loosens on the hilt, and then he takes the knife.
He spent hours and days and weeks training with Xornoth in knife work and he knows exactly how to attack to injure, which spots are the most painful without being fatal. He stabs the knife into the attacker’s upper arm, then into his side when he howls and twists away, and Jimmy can’t help but show off a bit as he flips the knife to his other hand and drives it into the man’s knee.
The intruder falls to his knees, and Jimmy’s head is pounding with the adrenaline, and he can’t move his focus from taking this man out entirely because he tried to kill Scott—
Jimmy spins around to be behind the man, hands on his throat—the man grabs at his wrists, nails scrabbling against his skin—and sends a burst of power out.
Under his sweaty palms, knife still tucked between the fingers of his right hand, Jimmy feels the man’s neck break. Not just the bone: his vocal cords snap—his muscles fall loose—his throat collapses, and so does the man, falling heavily to the carpet.
Jimmy stands there, panting.
Scott wheezes in pain.
Jimmy fumbles on the bedside table, grabs Scott’s hero phone with fingers slick with blood. He presses the emergency button on the side, holds it down for a solid five seconds.
Then he drops it back on the table, opens one of the drawers to pull out Scott’s mask.
“Jimmy,” Scott gasps, sitting up, clutching his arm over the slash in his shirt. “Are—are you okay?”
Jimmy nods, then he clicks on the bedside lamp, bathing the room in low, yellow light, and surveys Scott.
There’s a sheen of sweat over Scott’s bruised face, his eyes pained and confused (and concerned, and very very worried), but Jimmy barely registers that as his eyes find the wound.
His nightshirt is soaked in blood, spreading out from the slash, and it only takes one glance at the wound for Jimmy to know that it needs a professional to take a look at it. He doesn’t know near enough about injuries to know anything other than that it looks bad.
He leans over Scott (Scott flinches back) and pulls the mask over his face, carefully holding the knife pointed away from him. His hair catches a bit in the eyeholes and Jimmy doesn’t do anything about it.
"Major?" calls a voice from below, and Jimmy spins around, knife held out, as he hears the stairs creak with running footsteps. Was there back-up? No matter. There won’t be, soon.
A pajama-clad Blossom pushes open the door from where it's half-open (Scott always closes the door when they go to bed), her hands flying to her mouth when she takes in the scene. "Oh my gosh—Major, TJ, what happened? Should I call an ambulance? I'll call one—"
"Hello? Is everything okay?"
More footsteps, then Gem appears, mask pulled over tangled hair.
"Hi, we need an ambulance—the address—"
"What happened?" Gem says, echoing Blossom's words as Blossom turns away, one hand covering the ear not pressed to her phone.
Scott pushes himself up further, grimacing. "Intruder," he manages, nodding toward the body on the floor. Gem glances at it, before her eyes fix on Jimmy.
"TJ, sit down—where are you hurt? Where do you guys keep your first aid kit?"
"It's not my blood," Jimmy says, his voice too loud in his ears. He gestures with the knife toward the motionless body, the neck appearing kind of . . . squashed. "I'm fine. Check Major."
"Shoot, the attacker," Gem mutters. "Blossom, tell them that there's two or three people that need—"
"He's dead," Jimmy interrupts. "Don't worry about him. Check Major."
Gem blinks.
Meets Jimmy's eyes.
"Okay," she says after a moment. "I'll check Major. Did you kill him?"
Jimmy swallows.
"He was attacking us," he says stiffly. "He stabbed Major. I acted in self-defense."
Gem moves around and climbs onto Jimmy's empty side of the bed, still keeping an eye on him even as she checks out Scott, pulling away his shirt and asking quiet questions (to which Scott responds, his breath shallow and words faltering).
"The ambulance should be here soon," Blossom says, moving toward the foot of the bed. "TJ, you're covered in blood—set that knife down, let me help you."
"It's not my blood," Jimmy says again. "I'm fine."
"Okay, then—"
"You help Major," Gem says, slipping off the bed and coming back over. "I'll help TJ wash up. C'mon."
Numbly, Jimmy follows her out of the room, checking over his shoulder to make sure Scott is okay. Scott waves him on with the hand that isn’t held to his chest, and Jimmy continues down the hall, into the bathroom.
"We'll have to make this quick," Gem says. "Sit down. And give me that knife."
Jimmy doesn't want to give her the knife. He pulls it back to his chest when she reaches for it, thumbs the blade protectively.
"I need the knife to give it to Major, so that when the police get here we can have a convincing story without you in it. Make sense?"
After considering, Jimmy nods. It makes sense.
And that means he needs to not be here.
He hands over the knife. "I killed him," he says. "If they ask, Major stabbed him three times. Then he fell and broke his neck."
Gem shakes her head. "Okay. Wow. Okay. You know we don't normally kill people, right? Never mind. I'll go give this to Major."
Jimmy glances in the mirror as she steps past. There's blood spattered across his face, more in splashes on his nightshirt and shorts and arms. His eyes, cold and wide, peer back at him out of his pale face.
He needs to get out of here.
Gem returns after two or three minutes, handing Jimmy a jacket (one of Scott’s, he distantly notices).
"Zip that up over the blood, rinse off your hands, and let's go," she says. "We'll head to my place. Blossom will ride with Major in the ambulance. It doesn't look too bad, so he should be okay."
Jimmy obeys, letting Gem turn on the water so he can stick his hands under the cold spray.
For a moment, he's back there—just trying to scrub the blood off his hands from his first intentional murder in the sink with the broken handle.
Then he blinks, looking down at the sink, at the red running off his hands.
"Good enough. Let's go."
-
Joel joins them in Gem's dark kitchen after about two hours, stripping off a pair of gloves. He's fully dressed in his supersuit, his hair unbrushed and his posture stooped, looking more exhausted than ever.
"Gem, you have anything caffeinated?" Joel asks, opening a cupboard.
"Yeah, there's a pot of coffee already made. Mugs are in the left cupboard."
Jimmy watches as Joel finds a mug, fills it up with coffee, and then takes a swig of it black.
"Thanks," he says, face scrunching up at the taste. Joel doesn't like black coffee. Jimmy knows that. He always adds cream and sugar.
"Major's okay," Joel informs them, pulling out a chair at the kitchen table to sit across from them.
Jimmy's been here more or less in silence for the past hour and a half, staring at the wooden table. When they'd first come in, Gem had sent him to wash his hands and arms and face better than he had before, but there's nothing they can do about his sleepclothes, so he's just been sitting here in a blood-spattered t-shirt for a while. Gem had joined him after pulling a hoodie over her pajamas and starting the coffee maker, and has since sat beside him, working on a crossword puzzle.
"Major's okay, he and Blossom are at the hospital now. The intruder was pronounced dead on site. Major identified him as one of the men who kidnapped him."
Jimmy doesn't feel anything.
No sense of satisfaction at knowing that the man truly deserved it, no fear at how close they had been to getting killed, no guilt for his actions.
Nothing.
"TJ," Joel says hesitantly, "how are you doing?"
Jimmy shrugs.
He's still covered in the blood of the man he murdered.
"They say killing is like riding a bike," Jimmy says after a long pause. "You never quite forget how to do it."
Gem sighs. Joel winces.
"Right. Well, we don't really kill people, as a general rule. It's kind of, like, against the law."
The law.
As if the law applies to heroes and villains.
Jimmy's not really sure which one he is right now.
Neither, probably. Which means the law should apply to him, even if it hasn’t stuck in the past.
"I've never really been one to follow the law," Jimmy says.
"Sure, but as a person—"
He isn't a person. If anything was to prove that fact, it would be tonight. He hadn’t thought, he’d just acted, and even now the first feeling that he can even register is the feeling of not feeling. He isn’t a person.
He's a weapon.
He's a pet.
That's the word that triggers his therapy brain.
"I'm in a bad headspace," Jimmy interrupts Joel, using words that he'd rehearsed with Nora. "I don't feel like a person right now. I might be dissociating."
"We have to talk about this," Joel insists. "We can't run away from hard conversations—"
"I promised I would never kill again," Jimmy whispers, and, ah. There’s the panic. Detached and not quite real, but panic nonetheless. "I can't escape it. I'm not—I can't. I'm a weapon, I was made to be a weapon, I—"
"Stop that right now," says Joel firmly. "You are a person, and you just saved someone from being killed. It was self-defense, not mindless."
Jimmy almost laughs, because to some extent, it was mindless. He acted entirely on instinct, following the training Xornoth had given him, whether or not it was self-defense.
He doesn't like hurting people.
He never wanted to go back to being a villain.
It's not even that he's upset about killing that specific man. Screw that man, he tried to kill his boyfriend.
He's really just afraid that now that he's killed one person, he'll keep doing it. It isn’t like anyone can stop him. Nobody can stop him, not even himself, and he wouldn’t even care if his current state has anything to say about it.
"TJ," Gem says carefully, "why did you kill that man?"
Jimmy frowns. Why? "To protect Major."
"Do you have any desire to kill people outside of defense?"
Does he?
He's never had the desire to kill.
Not even when he was getting rewarded for it. Killing was something he did to survive, to escape severe punishment, or accidentally.
And here, he killed to protect. To save his boyfriend. He didn't get any satisfaction out of it. He certainly didn't enjoy it. He doesn't want to do it again.
That cuts through the foggy panic in his mind, the fear that he might keep going, that he wouldn’t be able to stop himself.
"No," he says, then stronger, "no. I never want to kill. I hate it. I only do it when I have to."
Joel lets out a breath of relief. "Thank goodness. Okay, next issue. You and Major clearly aren't safe here. Do you want to try to stick it out, or should we start moving you two as soon as possible?"
Jimmy hadn't even thought about it.
Of course they aren't safe here—he hadn't been safe alone, when Scott was kidnapped and he had to be moved to the safehouse. Why did he think that things would magically change just because Scott was here? Every villain in the city knows where they live. The rest of the gang that kidnapped Scott could show up on their doorstep at any time, even more angry than before.
Anyone could show up at any time.
Jimmy doesn't feel as secure as he used to feel, surrounded by superheroes as they are.
"We'll move," Jimmy decides. "As soon as Major is back, we're moving. It just isn't safe here."
They’ll move.
Then he’ll deal with this numbness.
-
"Hey!" Jimmy calls, running into the kitchen. "No! You aren't allowed to lift anything more than ten pounds, put that down!"
Scott sighs with an over-dramatic roll of his eyes, sets the box back on the counter. "It's not that heavy. And it doesn't even hurt right now."
"Just because it doesn't hurt doesn't mean it isn't injured, Mister," Jimmy tells him. "You don't want to pull out your stitches."
"You haven't let me help at all. Pearl already handled the actual heavy stuff, let me do something."
Jimmy shakes his head and picks up the box. "That's your own fault for getting stabbed right before we moved."
"We're moving because I got stabbed," Scott points out. "It's not like any of this was planned."
"You should have thought about that before you got stabbed, then."
Scott groans, then reluctantly laughs. "I guess I should have. Can I at least drive?"
Jimmy lets out a very put-upon sigh. "I suppose, since I don't have a driver's license, you can be allowed to drive. But only if you behave yourself."
Scott giggles again. "You're adorable," he says fondly. "You know I'm the Primary Protector of the city, right? I don't think you'd be able to stop me."
"And I killed a man last week," counters Jimmy. "I don't think you want to be on my bad side."
"Oh," Scott says after a moment. "Are we joking about this now?"
Jimmy shrugs. "We're in the laugh-or-cry stage. I'm trying to laugh about it right now."
Scott looks at him. Really, truly, looks at him.
Then he laughs. Just a little bit, but still a laugh.
"I love you," he says. "I'll help you hide the body next time."
Jimmy laughs a little, too, but Scott pauses.
"There . . . isn't going to be a next time, right?" he asks uncertainly.
"Oh, absolutely not. Not unless it's entirely necessary."
Scott nods several times. "Good," he says. “Yep. Cool.”
Jimmy turns back toward the door, box in his arms, and waits until he’s out of the house to huff, shaking his head (though a smile plays on his lips).
They’re okay.
He pushes away the numb feeling that threatens to seep into his brain and thinks and remembers and knows that they’re okay.
That’s good enough for him.
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lgbtqreads · 6 months ago
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Hi! I would love to hear some of your all time favourties :)
Okay, but as long as we acknowledge it’s just some. I always accidentally leave out huge favorites! (All links are to Bookshop, except where they don’t carry said book, because may as well treat yourself and support LGBTQReads and independent bookstores at the same time, right?)
YA Thriller: 
Female protag: Sadie by Courtney Summers
Male protag: Last Seen Leaving by Caleb Roehrig
Contemporary YA Romance
m/m: Beating Heart Baby by Lio Min 
f/f: She Gets the Girl by Alyson Derrick and Rachael Lippincott
m/f: Hot Dog Girl by Jennifer Dugan
Heavier contemporary YA, all of which totally coincidentally have bi protags:
Full Disclosure by Camryn Garrett
The Last True Poets of the Sea by Julia Drake
Girl Made of Stars by Ashley Herring Blake 
Every Time You Hear That Song by Jenna Voris
History is All You Left Me by Adam Silvera 
It Goes Like This by Miel Moreland (Please read it if you’re a fan of stuff like Daisy Jones and the Six, pleeeease)
Paranormal YA:  Cemetery Boys by Aiden Thomas
YA Sci-fi: The Disasters by MK England
YA Fantasy:
Standalone: Girl, Serpent, Thorn by Melissa Bashardoust
Duology: The Midnight Lie by Marie Rutkoski
Trilogy: Black Wings Beating by Alex London
YA Horror: The City Beautiful by Aden Polydoros
YA Magical Realism: Wild Beauty by Anna-Marie McLemore
YA Fabulism: This Rebel Heart by Katherine Locke
Historical YA: The above two titles and Self-Made Boys by Anna-Marie McLemore
YA Graphic Novels:
Male protag: Flamer by Mike Curato
Female protag: Mooncakes by Suzanne Walker and Wendy Xu (but truly, The Princess and the Grilled Cheese Sandwich by Deya Muniz is right behind it)
New Adult Romance:
m/m: Red, White & Royal Blue by Casey McQuiston
f/f: Treasure by Rebekah Weatherspoon
m/f: Hold Me by Courtney Milan
Adult Contemporary Romance:
m/m: The Charm Offensive by Alison Cochrun
f/f:  Mistakes Were Made by Meryl Wilsner
m/f: The Intimacy Experiment by Rosie Danan
polyam: Triple Sec by TJ Alexander (f/f/gq)
Adult Historical Romance:
m/m: We Could Be So Good by Cat Sebastian
f/f: The Lady’s Guide to Celestial Mechanics by Olivia Waite
Adult Contemporary Fiction:
In at the Deep End by Kate Davies
The Guncle by Steven Rowley
Endpapers by Jennifer Savran Kelly
Body Grammar by Jules Ohman
Adult Mystery Series:
Contemporary: Roxane Weary by Kristen Lepionka
Historical: Evander Mills by Lev A.C. Rosen 
Adult Thriller: 
Male protag: Yes, Daddy by Jonathan Parks-Ramage
Female protag: Temper by Layne Fargo
Adult Horror: Tripping Arcadia by Kit Mayquist
Adult Science Fantasy: Gideon the Ninth by Tamsyn Muir (adult science fantasy)
Adult Fantasy: 
Standalone: The Book Eaters by Sunyi Dean
Series: The Unspoken Name by AK Larkwood (please for the love of god at least try this if you’re a huge fan of Gideon already)
Adult Sci-Fi: This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
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teejaystumbles · 4 months ago
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Last line game
Tagged by @tj-dragonblade and @chaosheadspace ! Thank you!
I can share the last bit I wrote for the new witch!Hob instalment I'm working on 😊 it's mature so I'll put it under the cut 😉
(I wanted this to be short...who was I kidding... I'm still not done with the smut I didn't even plan to write 🫠)
“Hob. I am. Not done. Tasting you.”
Dream’s words come stilted, awkward, like his mind is still clouded and he needs to focus to articulate himself. Hob marvels at the unfolding of events and lifts up the hand that helped Dream jerk off to have a taste himself.
“You mean like this?”
When he lifts his cum-streaked fingers to his mouth Dream’s eyes suddenly grow entirely black again, his mouth dropping open in astonishment. Hob, trying to find his footing again, smirks and wiggles his eyebrows cheekily before sucking Dream’s cum from his fingers.
It tastes like nothing, which is better than regular cum, he supposes. Hob is no fan of cum-eating, to be honest. The consistency is not something he really enjoys, but seeing the effect it has on a lover is usually rewarding, and to be able to take a part of Dream into himself - he might finally understand where Dream is coming from with the whole devouring kink he has because the thought makes Hob’s neglected cock twitch in his pants.
Tagging @moorishflower @valiantstarlights and @delta-pavonis , no pressure of course 💜
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theribbonmarkedroom · 1 year ago
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The erasure of Andi Mack makes me so sad as someone who watched it as it was airing. I understand the show had issues regarding a Certain Actor, but it still makes me really sad for the people who worked on it. And because the show is such a gem. I want to write about Andi Mack in general one day, but because it's pride month I want to briefly talk about the show through that lens specifically.
Firstly, Andi Mack has so many episodes missing on Disney+ AND DisneyNow that it would be impossible to try to watch the series in full by using any of these apps. Until recently, DisneyNow had completely removed Andi Mack from its app, and put it back on with only an incomplete season three and without any of the games that were there originally (like Andi's Texts). This, I'm assuming, has to do with that Certain Actor, but the missing episodes has also made including Cyrus in any pride posts or collections harder than it should be (more on that in a second).
On Disney+, there is a "Pride Collection" which does not include anything Andi Mack related despite Cyrus being the first openly gay main character on Disney Channel. His coming out scenes (plural because of the individual scenes with Buffy, Andi and then Jonah) were extremely prominent not only to real people, but also to Cyrus' character as a whole. Two out of the three episodes where Cyrus comes out - "Hey, Who Wants Pizza?" (season 2, episode 1) | "Cyrus' Bash-Mitzvah!" (season 2, episode 13) | "One in a Minyan" (season 3, episode 11) - are not even available on Disney+, nor are any of them on DisneyNow (sidebar, Andi Mack isn't featured on DisneyNow 's pride section either). What's even more frustrating is that the series finale, "We Were Here", where Cyrus and TJ are confirmed to have mutual feelings for each other, are available on both Disney+ AND DisneyNow, yet it does not feature on either app's pride sections. Cyrus being gay wasn't just implied, he literally says the words "I'm gay" the third time he comes out and the second time he clearly says he has a crush on Jonah. It's not easy to overlook him as gay, and as a character who should be included in those pride collections, so his omission is clearly deliberate.
Even if the coming out episodes weren't featured, at the very least, any episode with Cyrus and TJ after they became friends should count; episodes like "For the Last Time", "The Cake That Takes the Cake", "Mount Rushmore or Less", "Something to Talk A-Boot" and of course the series finale. Surprising no one, only three of the Tyrus episodes I listed (and there are more) are actually on Disney+. I mean, they included a Miraculous episode in the Disney+ "Pride Episodes" collection that had the most minute blink-and-you'll-miss-it scene of Alec in a wig, so why not include any episode at all with TJ and Cyrus? Idk the whole thing is just very frustrating for so many reasons.
Edit: if anyone is interested in putting together a fan collection of art, stories etc etc of Andi Mack or letters detailing what the show meant to you that we could somehow share with Terri Minsky to let her know how much we appreciate her and Andi Mack, please dm me. There has to be some way we can show her that we haven’t forgotten about the show or her. I can always make another post if there’s enough interest to spread the word
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crowroboros · 4 months ago
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!!! Opinions on: chase.
There is a very solid chance that Chase is my favorite character not just in Echo VN, but in any Echo Project work. He might just be. I just think that he is such a boyfailure in all the best ways. He's such a sopping wet man and he captivates me. I've written and rewritten this so many times because it is so hard for me to even explain why (it's also 3am at the time of me writing this. I'll put it in queue when I'm done)
I think back to how characters in-universe (Chase included) say that he's dull or lacks personality, and I've seen people in the fanbase say that too. And I don't know if I agree with that. Though I do think that his personality is subdued thanks to the presence of the Samulation. He's kind of awkward, easy going, a bit of a pushover, and somewhat friendly. He really is a normal guy. His communication skills are non-existent, especially when he was younger, but he does grow over the course of the VN in most routes. And he seems at least somewhat introspective. A lot of his inner monologue is him reflecting on and being ashamed of his past actions.
Let's talk about those actions. Sydney oh boy oh god. I think a lot of people focus on Chase drowning Sydney but don't look at their relationship leading up to that. It's fucking sad all around. Sydney is said to have considered Chase a close friend, which really just....ow, you know? From all the interactions between Chase and Sydney we see in flashbacks, and from Chase's own words toward the end of Flynn's route, I really don't think Chase liked Sydney but I also don't think he hated him either. I see Chase's thoughts about Sydney and I see a kid going way too far with his efforts trying to protect a friend.
Chase said himself that he was a fucking asshole as a child and I believe him fully. He spread around the rumor that Sydney killed his father, manipulated Carl's fear of ghosts to get what he wants, drowned Sydney, etc. But in the ~12 years since Sydney died he really has grown as a person and I think that's part of what makes Chase so captivating to me and why I like him so much. He did several fucked up things. He was a dick when he was younger and in his teenage years. And to see him during the events of the main game, it's kind of remarkable. Even with that change though, he says himself that he fully believes that Sydney was a danger to TJ and to others and that he's glad he's dead. Yet he still feels a lot of guilt for killing him and has repressed those memories enough to where it is debatable that he even remembers that he did it in the routes where it isn't directly brought up. I find his complexity so intriguing especially when layered with the fact that ever since Sydney died, Chase has been possessed and influenced by the Samulation.
This is hard to write haha. Chase has so much going on that it's just so difficult to get my thoughts in working order to talk about him. Uh to put it simply: I'm a massive Chase fan. I really like this otter. He's so interesting in every way, from his thought-process, to this past, to the little tendencies he has. Fucking love this guy. Maybe I'll make a series of posts talking about different aspects of Chase from his relationships with other characters, to the things he does and the decisions he makes cause there is just SO MUCH to talk about with this otter.
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mysteriouslybluepirate · 1 year ago
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Queer Book Recommendations!!
I haven't really read a book book in years. Due to money problems and a lack of free time, audiobooks and AO3 were a MUCH cheaper option for me. But now that I'm struggling to fully read text posts on Tumblr I realize my attention span is shot. Reading novels is helping me tune out and focus in again. So I'm turning to queer novels written by my 'queer elders'.
For anyone who is struggling to get back into long form content after reading Fic for years, I highly recommend the books of TJ KLUNE (summaries of what I've read under the break).
If you are a fan of the 'escaping a shitty life and being welcomed into a found family' fanworks, this is the writer for you! All his stories center on home and feeling welcomed and loved. Of middle age and finding out who you are. Of finding love for others and yourself. He makes you hunger for that type of romantic and platonic love where people just know the real you. His stories also float by so quickly, there are so many things he does that I want to emulate his writing into my work.
Someone on Tumblr described the romances as: “what if a real life disney prince fell in love with the human equivalent of a wet paper bag?” and I agree 100%. All his protagonists are just like that, and I love them all.
(Also, this man definitely had an office job he hated, and writes office work culture as a death sentence in every one of his novels and I love it).
If you have any queer novels you love, don't be afraid to leave me a recommendation! (Especially WLW that isn't 'One Last Stop')
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HAVE READ: The House in the Cerulean Sea : [An amazing love fantastical found family story (with a hint of romance)! I listened to the audiobook on Audible and absolutely loved it! I can't wait for the sequel coming out next year.]
Linus Baker is a lonely case worker for a governmental organization which manages orphaned kids who are magical beings.
One day, he's given a secret assignment to assess a special orphanage on the island of Marsyas, run by a man named Arthur Parnassus, who has secrets of his own. Among the six unique children living there, one of them is Lucy, short for Lucifer, who just happens to be the Antichrist.
Despite his initial reservations, as Linus's days pass in Marsyas, in this idyllic setting among a coterie of magical children, Linus finds himself coming across a little romance, an unlikely family and possibly even a home.
Currently Reading: Under the Whispering Door. [I know this is going to be heartbreaking, but I'm loving it, only on page 50/373. Will likely post something vague about how it made me cry lol]
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.
Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over.
But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he missed in life.
When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.
Planning on reading: In The Lives of Puppets(The book is on my shelf).
In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe.
The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans.
When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe. Gio is captured and taken back to his old laboratory in the City of Electric Dreams. So together, the rest of Vic’s assembled family must journey across an unforgiving and otherworldly country to rescue Gio from decommission, or worse, reprogramming.
Along the way to save Gio, amid conflicted feelings of betrayal and affection for Hap, Vic must decide for himself: Can he accept love with strings attached?
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waywardsunlight · 2 years ago
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Post Hoot 4/28/2023
Cissy, Dana, Rebecca, Sarah, Avi, and Zelda Black
Reactions to the finale? 
Sarah cried really hard when she saw the Quincera (“a whole chapter in my life is over” line). Avi was excited to play a villain, Sarah said they were scary. Avi liked to play with character. Dana loved seeing Avi’s evil Raine, said it was intense. They said they wanted to see more evil Raine, but Dana wanted to avoid it. Rebecca’s birthday was the week the finale came out, talked about their appearance in the episode. Cissy started crying, said it was neat.
Continue reading below:
Cissy had been travelling, and got back right on time to see the finale, she was super tired. Cissy was crying, her kids were asking her if she was crying. Avi cried too. Sarah said she was choked up but she was more excited. Avi felt like it was surreal. Cissy said “no sequel” “we can hope” “It would be fun to do more but it would require Disney to agree” Dana. Sometimes Dana gets so pissed off about the cancelling. Rebecca said the finale aired and they were back to being angry. Wished they had gotten more episodes. Sarah was angry, upset and sad about the cancellation but she loved the finale. “It couldn’t have been more impressive”.“There’s always gonna be a thousand things we want to improve but it came out well” Dana
Dana loved the fight scene between Luz, Eda, and King v Belos. 
Music? How does it work? Brad has been on since season 2, he already knew the style of the show, so for every animatic, you put in temp music, and you send the composer the stuff and the spot notes, follow the concept of the temp music but add a horror genre spin on it. Brad’s first take on the episode was great. TJ did a remix for the epilogue, Dana cried hearing the remix for the epilogue. 
They brought back every single actor for the bye. Everyone’s last line is bye!!! Hooty originally had a line where he kept saying goodbye. Hooty coming out of Papa Titan’s eye? “I won’t say much, in hopes I get to do more in the future (slim chance), this youtube reviewer- The3rdBill got it right in an offhand comment”
“How did the writing change for season 2/season 3?” Dana had an ending she wanted, wasn’t able to do it bc too much set up. All of season 2A was written without the knowledge of the cancellation, Follies was the first episode fully written with the knowledge it was cancelled. Dana wanted to do more with galdorstones, coven heads, Bat Queen, it’s easy to see what we had to prioritize. It was a hard situation in the writer’s room. We did our best and we’re happy people still connected to it.”
“Keep being loud about how much you love the show”
“Support the Etsy artists!” Had a pin by SophieScrubs
“It’s not like we had whole episodes written that were trashed, they were one sentence ideas”- they were in Dana’s head “I’m just happy with what came out” 
“We kinda got to go out, 45 minute specials, it was fun to work with”
Cissy “There’s no way you can’t be a fan”, Cissy was wearing a King beanie and got recognized as a fan in Ireland!
Sarah met people who liked her shirt and the show lol (didn’t say if they knew who she was) Rebecca wore a king sweatshirt in DisneyLand, saw somebody else with a king sweatshirt and they side-eyed her lol “Anyone who ignores Rebecca can catch these claws”
Owlberts in the title of the show, Stringbean is there too, the L and S, when they made the pilot, they had a different logo, it wasn’t made intentionally but they saw it and they liked it.
Luz had a connection with snakes, having her reclaim snakes.
Sarah was a snake believer!!!
A lot of ppl had ideas in the writers room, Dana loves bad puns and loved snakeshifter (the guy who has Barkus named after him), Beastkeeping bc Dana loves animals, Oracle bc she could see the future of the show.
“Avi needs wrangling” Sarah, they joked around.
Raine’s Palisman: The Palisman was disguised as the violin, Raine smashes their violin- it was the staff part of the Palisman that was smashed.
Did they Clawthorne family ever discover they were descendants of Evelyn and Caleb? Eda and Hunter don’t know, the rest I won’t say.
Who had the old house? Who did that belong to? 
Sarah has a Stringbean! 
“The artistry of the fandom is inspiring” Cissy
Somebody’s making Cissy a Lilith one.
Caleb, Evelyn, Flapjack? “Save it for the spinoff” Dana: “One detail I like to think of, is when we were writing TTT, Flapjack is not Evelyn, to Belos he saw Flapjack as the culmination of the corruption in his brother “if it weren’t for you”, you can see a hint at it in the halloween decorations, Evelyn’s hand had Flapjack. First magic Caleb was introduced to, Evelyn was hiding her ears and pretending to be human, follow this bird into this portal? “Dog owners passing eachother and becoming friends and bonding over dogs”. I like to think that Evelyn and Caleb was sweet- platonic curiosity to romantic, it was good for a bit.
“Who did the shack belong to?” We never got to explore this, it was originally the home of Caleb and Philip, Eda comes out there for the first time when coming out of the portal door. Eda fixed it!!! Everything doesn’t matter, google death of the author, I am just a fan now bc the show is finished. If you prefer your version, it’s valid rn.
Eda becomes the owl beast before getting Owlbert. There was going to be an episode where they showed her reclaiming the image of the owl and learning to carve palisman with Dell.
When Luz and Hunter went down to the basement originally, there were graves down there for Philip and Caleb, based off old buildings in connecticut (no story purpose)
Belos concepts when he was taking over animals, didn’t end up in the show, Belos animal designs, alluded to but not shown
Eye on the portal is Papa Titan? Yes. 
Hunter is bisexual, Willow is pansexual.
Amity and Lilith rekindled mentor relationship, Lilith has a lot of history, Amity likes history + reading. They liked the blueprints for the library.
Cissy hadn’t seen anything she didn’t speak lines for, Cissy just got her lines/scenes.
Apparently they’re not supposed to bring the scripts home, before the pandemic they got full scripts
“Excuse me I’m talking” Avi (joking), Avi and Sarah are high energy
Avi didn’t have time to read the script, Sarah was confused when Luz died
Sarah got the script when Flapjack died, she said “no! Take me!” and they said “you’re going too”
Avi had trouble with the “you’re fluffy” line
Rebecca sent animatics to help the actors, it was easier for them to see the animatics
“It’s always up to the showrunner to show as much as they can” we go pitches in house with our own voices, Dana did Terra in For the Future animatic.Dana hates hearing her own voice, she talks really fast in her reads. When you pitch, you also do the sound effects. When they did the pitch for the finale (hour and a half), the line that got Rebecca choked up when Dana did Luz’s “Eda, King, thank you” “we got you kiddo”
There’s a recording of all of season two b  and season three of Dana pitching doing the lines.
If the show had not been cut short, would Amity and Hunter have had more time? Everyone would’ve gotten more of a chance to talk to each other- yes. Hunter would’ve talked to more characters like Vee and human realm kids, Camila. Literally everyone would’ve had more time. Dana loves the sibling relationship.
Luz and Raine barely interact, they’re bickering jokingly. “I’m sorry you didn’t get to hang out” Dana, “we can’t get the hexsquad to hang out”
Where did Luz attend school after WAD? She went to human realm high school, she had renewed motivation, even if high school was difficult, she had a goal, having a safe space for her and a family outside of the human realm made high school more bearable (that was the cause for Dana, having that escape was good).
Gus’s hair!! :D Emmy designed him. Dana designed Emira, Skara, Eber for the finale. Dana had two others but she forgot. 
King’s dad’s name is unpronounable. 
Does the Collector visit often? Has their relationship with their siblings improve? (STRONG LAUGHS) Dana can’t say much about the Archivsts, the Collector didn’t have a flashforward design bc they didn’t grow up that much, got a little taller but not really. Immortal space child. Dana was inspired by creepy dolls, and a nightmare. JBO had a google folder with cool references of creepy dolls, liminal nightmare scapes, stars. We know who is the Collector is gonna be but what’s their vibe. That was one of the most fun parts after the shortening. The Collector was always a part of it, not solidified, but yeah they were a part of it. The Collector has stayed connected, visits. Dana loves fan comics about King and the Collector. 
Won’t answer questions about the archvists. 
Hooty doesn’t have to be vacated from the owl house if he doesn’t want to, the door has a star motif on it, when the door isn’t active, Hooty can be there, but the portal door can fold up but Hooty is buddy. 
Who are the current residents of the Owl House? Raine and Eda’s business is their business, not all love stories end in marriage, that doesn’t diminism any kind of love? They live together in the owl house. Raine moved in.
Zach Markus invented Matt so he gets to answer Matt questions.
Vee and Masha dating? It’s hard to say, bc we didn’t include Masha in the finale, Vee has a crush on them. Yeah! Maybe.
Sarah’s husband is texting saying hi lol.
Odalia? Divorced. The kids happily live away from her. They see her when they have the energy to, they recognize she’s toxic and they don’t have to put up with her if she’s being awful. May have been explored if more episodes. Rachael MacFarlane (VA) is great. She’s not British, she’s just pretentious.
King’s Tower? Dana’s thinking… “dumb answer. The plans we had, it had something to do with… it was related to someone who you all know who may have amnesia
There was gonna be a moment for other characters to get eye glow (strong emotions)
What’s the mouse that looked like alador? In the boards, Dawn animated the scene, he has a pose where he looked like a t-rex, Dana saw it and thought he looked like Remy from Rattatoue, when they got to the scene with the lab, he remembered that convo and drew in the rat and Dana laughed so hard “keep it, don’t change it” “It’s his palisman”
“A show should be enjoyed as is, knowing how it’s made is also cool” “when the show got darker- we got to do the fun stuff we got to do, if we all tried to force ourselves to write a happy go-lucky show they’d be unhappy, we’re gonna put our feelings into this” It was a dark writers room for a bit.
Sarah likes the darker elements, mentioned the masks (maybe TTT?), not totally removed from reality
“It clearly struck a chord, we lived through a global quarantine, we’re feeling the fallout of it”
“What was extremely hopeful for the crew was that the characters would have a happy ending, Luz gets to study magic, the characters stay together and form a community” 
They got questions they couldn’t answer like about the quince 
They don’t know if this is the last post hoot
They opened presents but they didn’t get one for Avi bc they didn’t know they’d be there until 2 days before. Rebecca got them funko pops of Lilith and Luz. Rebecca said thank you.
“Hey disney, if you’re watching, this could be you”
Elizabeth (Camila VA) called her mom to translate stuff into spanish. 
Said byeeee!
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aurorawest · 7 months ago
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Reading update
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Arthur and Teddy Are Coming Out by Ryan Love - 3/5 stars
The Fate of Stars by SD Simper - DNF at pg 32
A Gathering Storm by Joanna Chambers - 4.75/5 stars
I kept getting the Madame Leota room from Haunted Mansion stuck in my head as I was reading this (not a bad thing!). This book has a surprisingly low rating on the Storygraph, and I'm not going to torture myself by looking at the reviews, but I'm assuming it's because of the power discrepancy between Ward and Nick. Clearly it didn't bother me as I really enjoyed the book!
Dionysus in Wisconsin by EH Lupton - 4.75/5 stars
At some point I might get tired of Mid-Century Modern romances, but not this day. This book was super fun, with an interesting world and lovely characters. And a Midwest setting! I've spent a lot of time in Madison, Wisconsin, where this book is set, so I got the added bonus of knowing most of the places pretty well. There was even a shoutout to an obscure piece of Madison history, the Lost City in the Arb. I have to get the second book in the series now!boy
Boy Meets Boy by David Levithan - 3.25/5 stars
I gave this book an extra quarter of a star for being written in 2003, when it would have been genuinely pretty groundbreaking. Reading it in 2024, it's very twee and pretty cringey (the queer utopia town would have been a magical fantasy in 2003, not so much now in a lot of places). When Levithan credited Francesca Lia Block's Weetzie Bat books in the acknowledgements, I though, ah. No wonder. Hated those as a teen.
All that said, there's some genuinely lovely writing in this book, and it has its place in the queer canon.
The Greywacke by Nick Davidson - 5/5 stars
Super interesting nonfiction about the discipline of geology and how the early geologic epochs were figured out. Also gave me an idea for a historical romance about gay Victorian geologists.
Home Grown Talent by Joanna Chambers & Sally Malcolm - 5/5 stars
I think I loved this one more than the first in the series. The social media scandal was perfect, in that it was exactly as absurd as every social media scandal is, and thus hilarious, but also chilling in how even something so stupid can ruin people's lives.
The First Bright Thing by JR Dawson - DNF at pg 1
Prince of the Sorrows by Kellen Graves - DNF at pg 30
Reuben's Hot & Cold by M Arbon - 3/5 stars
Slight Foxing Around the Edges by Melissa Polk - DNF at pg 132
Restored by Joanna Chambers - 5/5 stars
Balefire by Jordan L Hawk - 4.75/5 stars
A Rulebook for Restless Rogues by Jess Everlee - 4/5 stars
The Mars House by Natasha Pulley - 5/5 stars
See my brain vomit about this book here. If you've been around here for any amount of time you know all Natasha Pulley's books make me feral. Absolutely no exception here. I cannot believe her first UK publisher dropped her over this book. Idiots! It's wonderful just like everything she's ever written.
In the Case of Heartbreak by Courtney Kaye - DNF at pg 181
The Piano Tuner by Daniel Mason - DNF at pg 21
The Charm Offensive by Alison Cochrun - 5/5 stars (reread)
Just as good as the first time I read it!
Exhalation by Ted Chiang - 4.5/5 stars
The Foxhole Court by Nora Sakavic - DNF at pg 84
Crisped + Sere by TJ Klune - 4.75/5 stars
It actually kind of makes me mad that this series isn't Klune's most famous work, because it's real good. At this point it seems kind of unlikely he's going to continue it, but man, I'd love another book.
These Silent Stars by Chani Lynn Feener - DNF at pg 68
Trailer Park Trickster by David R Slayton - 5/5 stars
See below.
Deadbeat Druid by David R Slayton - David R Slayton - 5/5 star
I LOVE this series. Love love love love. Absolute must read. If you're a fan of KD Edwards's The Tarot Sequence, this series is right up your alley. It seems like there will be more after this initial trilogy, and there's also a spinoff book coming soon which I'm super excited for. Read them!!
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animation-is-my-jam · 7 months ago
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Hiii! I'm wondering what was the reason you ship tobecky? What moment did you feel that "oh yeah this is my otp!
Hello! Thank you for the ask!! (^.^)
Oh boy, okay then, strap yourselves. Call me Captain Tangent because I'm going to take too long getting to the point, but yippee!!
Alright, first is the context before the context. I watched Wordgirl during the original shorts that were between Maya and Miguel since I was a PBS kid (cable was inconsistent). During that time, I watched it up until season 4, when I dropped off in favor of other stuff. From that time, I do remember that I wasn't a Tobey x Wordgirl(Becky) fan. Instead, Tobey's crush on Wordgirl flew over my small head, and I was a Scoops and Becky truther because apparently, I recognized Becky's crush on Scoops more. (I didn't know what shipping was exactly. All I knew was that I liked to pair characters up in my head or be invested in romantic tension. EXs: Robin and Starfire in OG Teen Titans, Tiana and Naveen, ...Pleakley and Jumba...)
When about season 4 started, I didn't try to see what the show was up to until after the Miss Power special, where I curiously searched up Wordgirl on the family computer to see what happened. There then I found SuperstarWordgirl's art and amvs about Tobecky. Remember, I forgot about Tobey's crush, so I was just confused about why people wanted to see them smoochy kiss (I was like: "What?? Doesn't he dislike her? And she has the other boy??")
I was puzzled and embarrassed seeing shipping amvs, so I left it alone, only searching it up a bit on ff.net because I used it for mlp fics, and yup still was confused so I didn't hear of Wordgirl by then.
--Then, my mind broke in 2016. With animated movies like Zootopia and Finding Dory, I started to develop fixations beyond MLP and lurk into fandoms where I discovered Tumblr. (I was in the mlp fandom before, but I wasn't overtly active or multifandom yet, and was still a kid, so I was in very much danger and scarred for life to the point of my development but that's for another day--). Later that year, with the release of Sing, I really kicked into gears of wanting to make stuff/make friends with similar interests. Yada Yada, eventually over a year with being on Tumblr, I started to see posts about childhood nostalgia, and the PBS ones caught my eyes. Wordgirl was a big one, and superhero stories were getting interesting for me again, so I nodded and respected it. BUT THEN I SAW A POST SAYING THAT there was a canonical gay couple in Wordgirl, and I ran straight to the tag--look I was invested highly into gay shit so once I heard about it...in a PBS show? In my childhood show? I was like, OKAY, LET'S HEAR IT OUT.
And yes indeed, to whom that post was referring to...was TJ and Johnson... (What I didn't know, that was just when Liz confirmed stuff on tumblr for the last season like two years ago), BUT REGARDLESS, I GOT INVESTED BECAUSE GAY PPL REAL!! So yes, guys. You technically have Tjohnson to thank for getting me into the fandom and, yes, eventually to ship Tobecky.
Getting into the Wordgirl tag, I was very excited and comforted by all the art and tight-knit unity the fandom had. Headcanons, fan arts, and crossovers with stuff like other PBS shows or Captain Underpants, it really put me in a place of whimsy at the time. (remembered I was in places like the brony fandom, so by comparison, i was safe) and I was in the starting phases of high school too, so yep, seeing nostalgic wonderful art did my brain good. My fixation of animated movies waned, and I dipped deeply into Wordgirl, other cartoons, and video games. Because I was lurking in the Wordgirl tag, it wouldn't take long to see Tobecky again, along with other ships. Then it finally dawned on me after seeing clips posted that Tobey definitely had a crush on Wordgirl. And well...I'm a sucker for anything romance and especially since I missed that detail before so I went on YouTube for more clips. This was before the resurgences of ppl posting Wordgirl stuff, so I then went to deviantart for answers and got obsessed with this one artist on their Tobecky art. Like I didn't ship it yet, but I liked it. Eventually, after a few weeks on the Wordgirl tag, I kicked the bucket and watched the full show (I actually watched it through a tumblr masterpost link AHH THE MEMORIES) but regardless, after watching everything, yup....it became a hyper fixation. But what about Tobecky? So, I mentioned before that it wasn't until re-watching the four seasons again and seeing for the first time the other seasons that started to ship tobecky. Specifically, Have You Seen The Remote. I was already a bit intrigued since the first episode (because I like for one-sided infatuation relationships), but the whole thing with Tobey trying to say how much he and Wordgirl could get along and how they're similar in some ways...he was trying to convince her on their potential chemistry; but all he did was convince me lmao.
I liked their dynamic that wasn't just romantic, too, and i stewed on it for a bit and reached the conclusion like I did with Tjohnson. That yes....shipping time. I made it to the last Tobey episode, and it just confirmed deeply that out of any other woodview school character that I liked her best with Tobey (the note dude, the note was my roman empire, similar to the scene of TJ getting bashful over Johnson complementing him in what would Wordgirl do). I was critical of the ship itself, especially after catching up with it's fandom lore and it did kinda made feel a tad guilty, but at this point I've made peace that I can like this ship but also talk shit because of my love for it (you can be analytic guys it ain't gonna kill you, but also be respectful and don't bully others).
Becky is my favorite character, and Tobey is my favorite character to analyze, so match made in haven, I suppose. Plus, i liked my spin on them in a timeskip setting, and AHH-- (*Future AU happens*). The fics only made it worse by how Tobecky began to infest my brain. Shout out to Something Hidden. Yeah, also, as I mentioned, after finishing up Wordgirl, that's when I really started to break out of my shell in the fandom and express my ideas and care for Tjohnson and Tobecky. I have never been sane since...
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amazing-spiderling · 7 months ago
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For the character ask game, Scott Summers and/or Kurt Wagner, #7 & #12
<3
7. What’s something the fandom does when it comes to this character that you like?
Scott: People making jokes about Scott yelling "JEAAAAN :00000" all the time will never not be funny to me. IDK there's just something about people who end up marrying their high school sweethearts that's a little wacky. And as much as I enjoy ragging on the guy, I am glad that the fandom has come around and is appreciating his character development, especially from the last 20 years of comics.
Kurt: I've literally never met an X-Men/comics fan that doesn't like Kurt. Like he may not be their FAVORITE, but he's kinda the unproblematic fave of the fandom, so if you bring him up, the odds of people having something positive to say are pretty high. If anything, I think people are better about criticizing a bad writer or bad production decisions for any wonky characterization, rather than jumping to, "this is why this character sucks" like I've seen them do for other characters in comics.
12. What’s a headcanon you have for this character?
Scott: Wow, my feelings about Scott are kind of a jumble. I haven't read that many comics that focused on him specifically, so I feel like I'm drawing from all of the various media interpretations... I hesitate to make a claim about comics Scott because I'll say something like, "he writes a blog about baking" and someone is going to come in and be like, "X-Factor explicitly stated that he writes about gardening".
Okay, upon a little thought, I do have one. After he was resurrected following whatever the hell was going on between the Inhumans and Mutants in "Death of X", Scott felt REALLY BAD about what happened to my boy Alchemy, and we didn't see it, but offscreen he made sure that Tom was at the front of the line for Mutants to bring back to life on Krakoa. He yelled at Emma about it, too. (That last part probably was elaborated on, but I want to imagine that he was mad about that death in particular, since she used his voice/commanding personality so heavily and ended up getting Alchemy killed without a second thought.)
Kurt: I guess I'm not really sure if this is a headcanon or just like, a gut feeling- but... I don't see Kurt ever settling down, getting married, having kids. Which is kind of a wild thing to say because the man is HUSBAND MATERIAL THROUGH AND THROUGH and Marvel writers who get to take a swing at future versions of the X-Men love giving him a family... but he's always married to some rando who showed up in one (1) forgettable comic from 30 years ago that nobody remembers. It's sort of the problem of having chemistry with everyone, but then maybe not having a "spark" with one person in particular.
My use of the word "spark" here is intentional- as those familiar with his arc during the recent Krakoa era of X-Men comics might have picked up. Kurt creates the idea of a "spark" as a universal concept for Mutants of any/all faiths to embrace, a means to protect the sanctity and respect for the miracle of life. He was one of the few to recognize the need for Mutants to have something outside of themselves to pursue, and it came at no small cost to himself. In fact, he became something of an outsider, observing the community he loved, so that he could better serve them- and that I think is the crux of the issue. His "true love" is not another person, it's the preservation of a dream, and providing hope to all mutants. Even in the alternate world where he married Wanda and they had TJ, the couple lives apart from one another, each a part of their own respective teams because while they loved each other, they realized they could not focus on their duty when they were together. The mission still came first. I don't know that I mean he should join the conventional priesthood (if only because time has shown not enough comics writers are well versed enough in organized religion to write convincing and compelling comic stories about it) but his devotion to the Legionaries was close enough for me.
It's a bit of a double edged sword- I think it's something that makes his character unique, and I could turn this idea over and over in my head endlessly, but it comes at a bit of a cost from a meta perspective. I think part of the reason there's not as much fiction for the poor boy is because he doesn't have really solid canon ship fodder (NightWolves shippers have all my respect, mind you, but somehow it seems to draw a niche crowd?), so he tends to sit in the background like charming blue set dressing. It's okay though, we all still love him.
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